Arts of Independence

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About the Book: 

There is only one argument for Scottish independence: the cultural argument. It was there long before North Sea oil had been discovered, and it will be here long after the oil has run out.

How have perceptions of Scottish culture been shaped by its role within Britain?
What would be different about culture in an Independent Scotland?
Why is culture the key to the independence debate?

ALEXANDER MOFFAT and ALAN RIACH take a hard look at the most neglected aspect of the argument for Scotland’s distinctive national identity: the arts. Their proposition is that music, painting, architecture and, pre-eminently, literature, are the fuel and fire that makes imagination possible. Neglect them at your peril. For Moffat and Riach, jobs, health and trade are matters of material fact that need to be enlivened by imagination. How can we organise society to help us approach what the arts have to give. Why have we been so poor at representing our arts comprehensively, both within Scotland and internationally? What can be done? How might things be different? The arts are of paramount importance in the modern world. Moffat and Riach take the argument out of the hands of politicians and economists and beyond the petty squabbles of party politics.

About the Author:

ALEXANDER (SANDY) MOFFAT RSA is an artist and teacher. Born in Dunfermline in 1943 he studied painting at Edinburgh College of Art. From 1968 to 1978 he was the Director of the New 57 Gallery in Edinburgh. In 1979 he joined the staff of The Glasgow School of Art where he was Head of Painting from 1992 until his retirement in 2005. His portraits of the major poets of the Scottish Renaissance movement now hang in the Scottish National Portrait Gallery and his paintings are represented in many public and private collections including the Yale Center for British Art, USA and the Pushkin Museum in Moscow.

ALAN RACH was born in Airdrie in 1957. He studied English literature at Cambridge University from 1976-79. He completed his PhD in the Department of Scottish Literature at Glasgow University in 1986. His academic career has included positions as a post-doctoral research fellow, senior lecturer, Associate Professor and Pro-Dean in the Faculty of Arts, University of Waikato, Hamilton, New Zealand 1986-2000. He returned to Scotland in January 2001 and is currently the Professor of Scottish Literature at the University of Glasgow.